
Sources
-
Chen, Alexander; Mann, Yotam; Morrill, Jeramy; Smus, Boris;, "Spectrogram", Google Creative Lab, http://chemcom.tech/sound.html.
-
Harry Ferdinand Olson, Music, Physics and Engineering, Dover Publications, 1967.
-
Hwan-Ching Tai et al., "Chemical distinctions between Stradivari’s maple and modern tonewood", Proceedings of the National Academy of Sciences of the United States of America, Ed. 114 (1), January 2017, Pg. 27-32.
-
Inskeep, Steve; Hoffman, Miles, "The Sweet Sound of a Stradivarius", National Public Radio, June 24, 2004.
-
Jacoby, Christopher, "With the Grain: Learn How to Look at Wood like a Violin Maker", Strings Magazine, December 2016, stringsmagazine.com/with-the-grain-learn-how-to-look-at-wood-like-a-violin-maker/
-
Nagyvary, J.; DiVerdi, J. A.; Owen, N. L.; Tolley, H. D.; "Wood used by Stradivari and Guarneri", Nature 444(7119):565. 2006.
-
Nagyvary, J.; Guillemette, R. N.; Spiegelman, C. H.; "Mineral preservatives in the wood of Stradivari and Guarneri", Public Library of Science One, (1), January 22, 2009.
-
Smus, Boris, "Spectrum Analyzer", Academo.org, 2016, https://academo.org/demos/spectrum-analyzer/.
-
Stewart Pollens, The Violin Forms of Antonio Stradivari, Peter Biddulph, 1992.
-
"The Anatomy of a Violin", Violin Student Central, Flower Mound, Texas, www.violinstudent.com/violinmap.html .
-
"Violin Woods: What Can Be Used?", Violinist.com, 2007, www.violinist.com/discussion/archive/12564/
​
-
Special thanks to Dr. Ruth Boden of Washington State University for providing the cello recordings seen on this website.